Paneled Room (salon de compagnie)
Claude-Nicolas Ledoux, with painted panels by Jean-Siméon Rousseau de la Rottière (Ledoux 1736 to 1806; Rousseau de la Rottière 1747 to 1820) · about 1790 to 1795
Walk into this room and you are standing inside a Paris drawing room of the seventeen nineties, complete: tall painted doors, mirrors, a marble fireplace and walls of pale panelling covered with delicate arabesques, winged centaurs, sphinxes, palm leaves and garlands picked out in colour and gold. The furniture around you belongs to the same years. It was the reception room of a house built by the architect Claude-Nicolas Ledoux for a planter named Jean-Baptiste Hosten, and it survives because the panelling was pulled out before the house was demolished in the eighteen nineties.
Look closely at the painted panels by Jean-Siméon Rousseau de la Rottière, one of the best decorative painters in Paris. The ornament is called grotesque, after the designs found in the buried rooms of Nero's palace in Rome, and it is neoclassicism at its most refined, fine lines and pastel tints on a light ground. Ledoux, a visionary who designed ideal cities and the toll gates of Paris, gave the room its crisp proportions and the plaster reliefs over the doors. The Getty's decorative arts rooms are arranged so that you pass from the heavy gilt of Louis the Fourteenth through this lightness to the Empire, and the change is easy to feel.
The story behind it is darker. Hosten's money came from a sugar plantation in Saint-Domingue worked by some two hundred enslaved people, and as this room was being finished the revolution that would create Haiti was under way. Hosten returned to the colony and was executed there in eighteen hundred and two. The Getty acquired the panelling in nineteen ninety eight and installed it here with furniture and objects that the original owner might have recognised.
Did You Know? The J. Paul Getty Museum began as a display of French furniture in Getty's own ranch house in Malibu, and decorative arts remain one of its deepest collections.
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