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Tretyakov Gallery

Moscow ๐Ÿ‡ท๐Ÿ‡บ
Art12 guided works
See HighlightsStart VisitingGet DirectionsWebsite

About the Museum

The State Tretyakov Gallery is the national museum of Russian art, and its historic home in Lavrushinsky Lane, across the river from the Kremlin, is where the story of Russian painting is told from medieval icons to the eve of the revolution. The collection began as the private passion of Pavel Tretyakov, a Moscow textile merchant who bought his first paintings in eighteen fifty six and gave the whole collection to the city in eighteen ninety two. His house grew wing by wing around the pictures, and in the early nineteen hundreds the painter Viktor Vasnetsov gave it the fairy-tale facade in red, white and gold that greets you today.

The rooms follow a roughly chronological route. On the upper floor you pass from eighteenth century portraits through the Romantic painters, the great canvases of Alexander Ivanov, the social realism of the Wanderers, the historical epics of Surikov and Repin, and the landscapes of Shishkin, Savrasov and Levitan. Downstairs are the turn of the century masters, Vrubel and Serov, and then the icons, including works by Andrei Rublev and Dionisius, along with the treasury of jewelled church art. The twentieth century collection is shown in the separate New Tretyakov building on Krymsky Val.

For a first visit allow at least three hours. The famous rooms are on the top floor, but the icon halls at the end of the route are the quietest and the most moving.

Before You Go

Collection Areas

1
Eighteenth and early nineteenth century
Upper floor, first rooms
Portraits by Rokotov, Levitsky and Borovikovsky, then the Romantic generation of Kiprensky, Tropinin and Bryullov.
2
Alexander Ivanov
Upper floor, the Ivanov hall
A whole room built around The Appearance of Christ Before the People and the hundreds of studies made for it.
3
The Wanderers and realism
Upper floor
Perov, Kramskoi, Ge, Vereshchagin, Savrasov and Shishkin: the painters who turned to Russian life and landscape in the eighteen sixties and seventies.
9
4
Surikov, Repin and Vasnetsov
Upper floor, large halls
The monumental historical and folkloric canvases that define the gallery for most visitors.
5
Turn of the century
Lower floor
Serov, Vrubel, Levitan, Nesterov and the painters of the World of Art group.
2
6
Old Russian art
Lower floor, final rooms
Icons from the twelfth to the seventeenth centuries including works by Rublev and Dionisius, and the treasury of church metalwork.
7
Church of Saint Nicholas in Tolmachi
Attached to the museum, entered from inside
A working church that serves as a museum hall and holds the Vladimir icon of the Mother of God.
1

Highlights

12 works. Each work has a full written and audio guide.

The Appearance of Christ Before the People
The Appearance of Christ Before the People
Alexander Ivanov, 1837 to 1857
Upper floor, Room 10
Bogatyrs
Bogatyrs
Viktor Vasnetsov, 1881 to 1898
Upper floor, Room 26
The Demon Seated
The Demon Seated
Mikhail Vrubel, 1890
Lower floor, the Vrubel hall, Room 33
Boyarynya Morozova
Boyarynya Morozova
Vasily Surikov, 1884 to 1887
Upper floor, Room 28
Girl with Peaches
Girl with Peaches
Valentin Serov, 1887
Lower floor, the Serov rooms
Portrait of an Unknown Woman
Portrait of an Unknown Woman
Ivan Kramskoi, 1883
Upper floor, Room 20
Morning in a Pine Forest
Morning in a Pine Forest
Ivan Shishkin and Konstantin Savitsky, 1889
Upper floor, Room 25
The Rooks Have Returned
The Rooks Have Returned
Alexei Savrasov, 1871
Upper floor, Room 18
They Did Not Expect Him
They Did Not Expect Him
Ilya Repin, 1884 to 1888
Upper floor, the Repin halls
The Apotheosis of War
The Apotheosis of War
Vasily Vereshchagin, 1871
Upper floor, Room 27
Troika: Apprentices Fetching Water
Troika: Apprentices Fetching Water
Vasily Perov, 1866
Upper floor, Room 17
The Vladimir Icon of the Mother of God
The Vladimir Icon of the Mother of God
first third of the twelfth century
Church of Saint Nicholas in Tolmachi, attached to the gallery