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Smithsonian American Art Museum

Washington, D.C. πŸ‡ΊπŸ‡Έ
Art12 guided works
See HighlightsStart VisitingGet DirectionsWebsite

About the Museum

The Smithsonian American Art Museum holds one of the largest and most wide-ranging collections of American art anywhere, more than forty thousand works stretching from colonial portraits to video installations. It shares the Old Patent Office Building, a Greek Revival landmark in the Penn Quarter neighbourhood of Washington, with the National Portrait Gallery. The building took more than thirty years to complete, from 1836 to 1868, served as a hospital during the Civil War, and hosted Lincoln's second inaugural ball in its great upper halls. In 2007 the open courtyard at its centre was covered with an undulating glass canopy designed by Norman Foster, creating the Kogod Courtyard, one of the most pleasant free indoor spaces in the city.

The collection is arranged chronologically over three floors. The first floor holds folk and self-taught art, including James Hampton's shimmering Throne, together with Latino and early American galleries. The second floor covers the eighteenth to the early twentieth century, with the great landscapes of Bierstadt and Moran, Catlin's Indian Gallery, Winslow Homer, Sargent and the Gilded Age. The third floor is devoted to modern and contemporary art, with the soaring Lincoln Gallery and Nam June Paik's neon map of America. Above it, the Luce Foundation Center displays thousands more works in dense glass cases, a visible storage that is a museum in itself.

Admission is free. Note that the second-floor galleries are closed for a major reinstallation until 6 November 2026, so check what is on view before you build your route around a particular painting.

Before You Go

Collection Areas

1
Folk and Self-Taught Art
First floor, west wing
Works by artists outside the academic mainstream, anchored by James Hampton's Throne of the Third Heaven and pieces by Howard Finster, Bill Traylor and other visionary makers.
1
2
Galleries for eighteenth to early twentieth century art
Second floor (closed for reinstallation until 6 November 2026)
The historic core of the collection: colonial portraits, Catlin's Indian Gallery, Hudson River School and western landscapes, Homer, Sargent, Cassatt and American Impressionism.
6
3
Modern and Contemporary Art
Third floor, including the Lincoln Gallery
Reinstalled in 2023, these galleries run from early abstraction and the New Deal era through Georgia O'Keeffe, Edward Hopper, David Hockney, Nam June Paik and recent acquisitions.
1
4
Luce Foundation Center for American Art
Third and fourth floors, east wing
Open storage with more than three thousand paintings, sculptures, crafts and folk objects packed into glass cases, with computer kiosks that give the story of each work.
2
5
Kogod Courtyard
Ground floor, centre of the building
The glass-roofed courtyard by Foster and Partners, shared with the National Portrait Gallery, with a cafe, water scrim and seating.
1
6
Lunder Conservation Center
Third and fourth floors
Glass-walled conservation studios where you can watch conservators at work on paintings, frames, sculpture and paper.
7
Old Patent Office Building Exterior
F Street between 7th and 9th Streets, south portico
The Greek Revival building of 1836 to 1867, shared with the National Portrait Gallery, with its Doric portico modelled on the Parthenon.
1

Highlights

12 works. Each work has a full written and audio guide.

The Old Patent Office Building
The Old Patent Office Building
Robert Mills, William Parker Elliot, Thomas U. Walter and others, 1836 to 1868
F Street between 7th and 9th Streets; the south portico faces F Street
The Robert and Arlene Kogod Courtyard
The Robert and Arlene Kogod Courtyard
Foster and Partners with Kathryn Gustafson, 2007
Ground floor, centre of the building, shared with the National Portrait Gallery
The Throne of the Third Heaven of the Nations' Millennium General Assembly
The Throne of the Third Heaven of the Nations' Millennium General Assembly
James Hampton, about 1950 to 1964
First floor, west wing, Folk and Self-Taught Art galleries
Electronic Superhighway: Continental U.S., Alaska, Hawaii
Electronic Superhighway: Continental U.S., Alaska, Hawaii
Nam June Paik, 1995
Third floor, east wing, Lincoln Gallery (Modern and Contemporary Art)
Among the Sierra Nevada, California
Among the Sierra Nevada, California
Albert Bierstadt, 1868
Second floor, galleries for eighteenth to early twentieth century art
The Grand Canyon of the Yellowstone
The Grand Canyon of the Yellowstone
Thomas Moran, 1893 to 1901
Second floor, galleries for eighteenth to early twentieth century art
High Cliff, Coast of Maine
High Cliff, Coast of Maine
Winslow Homer, 1894
Second floor, galleries for eighteenth to early twentieth century art
Elizabeth Winthrop Chanler (Mrs. John Jay Chapman)
Elizabeth Winthrop Chanler (Mrs. John Jay Chapman)
John Singer Sargent, 1893
Second floor, galleries for eighteenth to early twentieth century art
Stu-mick-o-sucks, Buffalo Bull's Back Fat, Head Chief, Blood Tribe
Stu-mick-o-sucks, Buffalo Bull's Back Fat, Head Chief, Blood Tribe
George Catlin, 1832
Second floor, George Catlin's Indian Gallery, galleries for eighteenth to early twentieth century art
The Death of Cleopatra
The Death of Cleopatra
Edmonia Lewis, carved 1876
Second floor, galleries for eighteenth to early twentieth century art
Model of the Greek Slave
Model of the Greek Slave
Hiram Powers, 1843
Luce Foundation Center, third floor, Room 18A
The Luce Foundation Center for American Art
The Luce Foundation Center for American Art
opened 2006
Third and fourth floors, east wing