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Museo Soumaya

Mexico City 🇲🇽
Art10 guided works
See HighlightsStart VisitingGet DirectionsWebsite

About the Museum

The Museo Soumaya is the private museum of Carlos Slim, opened in its present building in Plaza Carso in the Polanco district of Mexico City in 2011 and named after his late wife Soumaya Domit. Entry is free every day of the year, and the shining, twisted tower designed by Fernando Romero, clad in thousands of hexagonal aluminium tiles, has become one of the most photographed buildings in the city. An older branch of the museum still operates at Plaza Loreto in the south of the city.

The collection runs to some sixty six thousand works across six floors. Its greatest strength is sculpture: the museum holds the largest group of Rodin bronzes outside France, shown on the top floor under a floating roof, together with a large collection of Salvador DalĂ­ bronzes. There are old masters from Italy, Spain and the Netherlands, including El Greco and Tintoretto, a strong group of colonial painting from New Spain, French Impressionists and Post-Impressionists including Monet, Renoir, Degas and Van Gogh, Mexican art from Rivera and Tamayo to the twentieth century, and eccentric collections of coins, ivories and decorative art.

The museum is designed to be walked from the top down. Take the lift to the sixth floor, where Rodin and DalĂ­ stand in daylight, and follow the spiral ramp through the floors devoted to Mexican art, the Impressionists, the old masters and the decorative arts, ending in the vestibule with the Gates of Hell, Rivera's mosaic and Tamayo's murals.

Before You Go

Collection Areas

1
Vestibule
Ground floor
Monumental works including Rodin's Gates of Hell and The Thinker, Diego Rivera's Río Juchitán mosaic, murals by Rufino Tamayo and a marble copy of Michelangelo's David.
4
2
Sala 1: Modernity, Art and Technique
Floor 1
Decorative arts, coins, ivories and objects of the industrial age.
3
Sala 2: Myths and Allegories
Floor 2
Religious and mythological painting and sculpture from Europe and Mexico.
4
Sala 3: European and New Spanish Old Masters
Floor 3
El Greco, Tintoretto, Murillo, Zurbarán and the painters of colonial New Spain.
2
5
Sala 4: From Romanticism to the Avant Garde
Floor 4
Monet, Renoir, Degas, Pissarro, Van Gogh, Toulouse-Lautrec and the modern schools.
2
6
Sala 5: Twenty Centuries of Art in Mexico
Floor 5
Mexican art from the pre Hispanic era through the viceregal period to Rivera, Siqueiros and Tamayo.
7
Sala 6: The Age of Rodin
Floor 6
The largest collection of Rodin outside France, with DalĂ­ bronzes and other sculpture, under the daylit roof.
1
8
The Building and Atrium
Exterior and central atrium, Plaza Carso
Fernando Romero's windowless twisting tower clad in thousands of aluminium hexagons, with the open atrium and the spiral ramp that climbs through all six floors to the daylit top gallery.
1

Highlights

10 works. Each work has a full written and audio guide.

The Plaza Carso Building
The Plaza Carso Building
Fernando Romero, 2011
Exterior and atrium, Plaza Carso, Polanco
The Thinker
The Thinker
Auguste Rodin, Modelled 1880 to 1882, cast later
Ground floor vestibule and Sala 6, La era de Rodin
The Gates of Hell
The Gates of Hell
Auguste Rodin, Modelled 1880 to 1917, cast later
Ground floor vestibule
The Nobility of Time
The Nobility of Time
Salvador DalĂ­, Modelled 1977, cast 1984
Sala 6, La era de Rodin, top floor
Juchitán River
Juchitán River
Diego Rivera, 1956
Ground floor vestibule
The Day and the Night
The Day and the Night
Rufino Tamayo, 1954
Ground floor vestibule
The Tears of Saint Peter
The Tears of Saint Peter
El Greco, About 1587 to 1596
Sala 3, Antiguos maestros europeos y novohispanos
The Prayer in the Garden of Gethsemane
The Prayer in the Garden of Gethsemane
Tintoretto, About 1543 to 1544
Sala 3, Antiguos maestros europeos y novohispanos
Landscape at Giverny
Landscape at Giverny
Claude Monet, 1887
Sala 4, Del Romanticismo a las vanguardias
Cottage with a Peasant Coming Home
Cottage with a Peasant Coming Home
Vincent van Gogh, 1885
Sala 4, Del Romanticismo a las vanguardias