Salle 527
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Salle 527 · Adolphe Rothschild · Richelieu · Level 1

Cupids Defending a Woman against Two Centaurs

Gérard van Opstal (1605-1668) · 1640-1668

In a strip of ivory barely fourteen centimetres high, a woman struggles between two centaurs while a swarm of winged babies comes to her rescue. Two of them tie up the first centaur; two others try to stop the second by grabbing his scarf or seizing his rump with their plump little hands. The story comes from the battle of the Lapiths and the centaurs, when the horse-men tried to carry off the Lapith women, but nothing here is epic. The tone is playful and meant to make you smile. Look at how the sculptor cut the relief right through the thick plaque, building it on a kind of grid that lets the draperies, the hair and the little ropes stand free, and at the contrast between polished skin and rough manes.

Gérard van Opstal, born in Brussels, settled in Paris and became one of the founders of the Royal Academy of Painting and Sculpture. He specialised in small ivories in the manner of Rubens. Louis the Fourteenth bought this relief from the sculptor's studio in sixteen sixty-nine, the year after his death. Seized from the royal collections during the Revolution, it has been in the museum ever since.

Did You Know? Louis XIV bought this little ivory from the sculptor's studio in 1669, the year after Van Opstal died.

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IvoryBaroqueVan OpstalLouis XIVMythology
Details
Original title
Amours défendant une femme contre deux centaures
Medium
Ivory relief, mounted in a patinated copper frame
Dimensions
H. 14.2 cm; W. 30.1 cm; D. 2.3 cm
Inventory no.
MR 362
Museum record
collections.louvre.fr
Wikipedia
Read more
Image
Wikimedia Commons free licence; confirm on file page